Prats de Santa Coloma, Andorra [Meadows in Santa Coloma]

In 1932, he made the first of his three visits to Andorra. He arrived by car to Santa Coloma, accompanied by his wife, son, driver and assistant. This oil painting is a good representation of his post-impressionist style. There are three almost parallel areas –the field, the mountain and the sky–, bright and contrasting greens, […]
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He went to Paris in 1892 and he began to associate with impressionist artists, leading to a change in his pictorial style. His colour pallet became lighter and he began using light blue, ochre and golden tones, starting to accentuate all the colours seen in the sea and rivers. He was continually drawn to the […]
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A professional decorative painter, by which he earned his living, his apprenticeship was almost self-taught. He went to Madrid in 1884 to study the Spanish painters of the Golden Age and, thanks to a recommendation from Elisenda Cerdà, daughter of the architect Ildefons Cerdà, he became a student of Carlos de Haes, the Belgian artist, […]
Read morePulvis, cineris, nihil [Dust, ashes, nothing]

Santiago Rusiñol went to Tarragona in 1894 to visit and keep company with his friend Josep Yxart who was ill at the time. Critic and writer, Yxart had been part of the group of artists and writers of Barcelona’s Cau Ferrat, through Narcís Oller, and who endorsed Rusiñol in the theater and its first premieres. […]
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In 1848 he travelled to Paris, where he visited the Louvre and discovered the work of Eugène Delacroix and Gustave Courbet, the greatest international exponent of pictorial realism. In addition to creating, he also undertook important teaching work, following the precepts of French realist painters and the work of the Barbizon school. His innovative teaching […]
Read moreCampos de trigo en Verano [Wheat fields in the summer]

A restless painter in his observations and reflections on art, in tune with the painters of the Barbizon school, whom the artist had met on his travels in France. Also attracted by the work of Gustave Courbet, they made him evolve into a modern realism, which he introduced in Catalonia in his pedagogical system, going […]
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Modest Urgell was a disciple of Ramon Martí Alsina in Llotja and after the death of Lluís Rigalt, he was appointed professor of landscape at the School of Fine Arts in Barcelona. An inspiring teacher of other artists and an admired painter, he became a successful artist at a time when the showcase of art […]
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It is a pastoral narrative, as the composition lacks a main element or figure, leaving the landscape as the protagonist, representing an idealised and harmonious rural scene. In his landscapes, chiefly of the beech groves or wetland undergrowth around Olot, rural scenes interpreted in a very agile style imbued with the French “plein air”, he […]
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An artist of great technical precision, a master of watercolour painting, which was a medium much appreciated in the 19th century. The government of the First Republic sent him to Rome, where he lived for ten years, to study at the Academy of Rome. He had great international impact, as the market, with the art […]
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