Three figures and white houses

Ignasi Gil visited Ibiza for the first time in the 30s, and he was fascinated by the sight of all the white and the peasant women’s dresses. He painted genre landscapes all over the island and portraits of peasants in the impressionist style, which sought spontaneity in the brushstrokes, movement and luminosity. In modern art, […]

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Interior of a country house

Benet Mercadé was from Emporda, the son of a decorative painter, gilder and votive painter. He trained at the School of Fine Arts in Barcelona – where he was appointed professor in 1882 – and the School of Fine Arts San Fernando in Madrid. He started as an ornamental painter and worked with daguerreotypes. He […]

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Rural street

A rural street, it is believed to be a street in Castell d’Empordà or Santa Pau, which would link him to his land of origin from where he would leave young due to poverty and problems with a stepmother. Under his brush, this rural street approach presents itself to us as a self-contained theme. It […]

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Ribera de Cardós. Pallars Sobirà

A synthetic representation of the landscape of Montserrat and the unique massif of the mountain range, through the strength of the compactness of the elements. The painter conveys the lively movement and balance of the massif through the force of modernity and the avant-garde brushstrokes. A slow work, in favour of colour and material, in […]

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Beach houses

This landscape artist, a follower of the luminist school, developed his painting style giving absolute prominence to light, softer and more diffuse in nature. He often introduced perspectives with very pronounced and deep diagonal lines that depicted simple and realistic spaces, lending great importance to the material qualities of the elements, land, roads and whitewashed […]

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Maison à Trouville

The painted architecture of Carles Nadal is the result of capturing colour, a pure fauvist approach, and great chromatic intensity and strength. Thick, synthetic profiles with direct shades of black or primary colours suggest the volume of the buildings, the streets and the urbanistic composition of the city. The tridimensional nature of the painting is […]

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Vilanova street and a bell tower

The small urban composition with anonymous figures and the reuse of the canvas -there is a rural architectural composition on the reverse that was not made by the painter- demonstrate how materials were recycled during the Civil War. They are small works on wood or cardboard that could be sold more easily or exchanged for […]

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